The olfactory creation L’Air du Ciel by Nina Ricci
In 1948, to celebrate the regained peace of the post-war period, Nina Ricci imagined a fragrance called L’Air du Temps. He then possessed in himself all the spirit of innovation that reigned in France at that time. Today, things have changed and this is why L’Air du Ciel is being transformed under the expert gaze of the Nina Ricci brand. The brand has imagined a new variation of this legendary essence. The newcomer to the range is this time called L’Air du Ciel, and portrays us the poetic image of a sky lit by the last rays of the sun.
L’Air du Ciel, the scent of a suspended moment
L’Air du Ciel by Nina Ricci captures a poetic and soothing image: that of the sky still lit by daylight, but gradually fading into the night. After all, what could be more inspiring than a sunset over a cottony sky to spark the imagination of a perfumer? The image is described as follows by the sign: “The pink and orange rays mingle with the blue of the sky and the wadded white of the clouds. The azure is metamorphosed as day gradually gives way to night. The radiance of the sun imperceptibly declines in a caressing light. The evening breeze tempers the afternoon heat. An ephemeral interlude, whose particular atmosphere seems to infuse his new olfactory creation, L’Air du Ciel has the poetry of suspended moments ”. Of course, this poetry materializes on the new bottle of L’Air du Ciel. This container takes the elegance and style of L’Air du Temps while changing some details. The whole forms a crystal swirl, initially imagined by Marc Lalique in 1951. Formerly transparent, it is now decorated with a pink, yellow and blue gradient, as if to echo the different lights in the sky. As in the past, the L’Air du Ciel bottle is topped with two doves, a universal symbol of peace and love. Nina Ricci’s initials are displayed on a silver ring, present at the neck of this bottle. initially designed by Marc Lalique in 1951. Formerly transparent, it is now decorated with a pink, yellow and blue gradient, as if to echo the different lights in the sky. As in the past, the L’Air du Ciel bottle is topped with two doves, a universal symbol of peace and love. Nina Ricci’s initials are displayed on a silver ring, present at the neck of this bottle. initially designed by Marc Lalique in 1951. Formerly transparent, it is now decorated with a pink, yellow and blue gradient, as if to echo the different lights in the sky. As in the past, the L’Air du Ciel bottle is topped with two doves, a universal symbol of peace and love. Nina Ricci’s initials are displayed on a silver ring, present at the neck of this bottle.
The comforting freshness of L’Air du Ciel
On the skin, L’Air du Ciel unfolds its freshness like a caress. This fragrance first sets off on the liveliness of citrus fruits and is also composed of bergamot, mandarin and petitgrain. Then, it is illuminated with orange blossom and thus reveals its flamboyant and spring luminosity. For more indulgence, and fully in line with today’s sweet scents, L’Air du Ciel is enriched with a sweet touch of honey. It only becomes more addictive. The tonka bean and bitter almond give it an ultimate sweetness. Finally, cottony white musks sweep its wake, as if to evoke the lightness of the clouds floating in the air. Everything is the work of perfumers Louise Turner and Natalie Cetto.
Fruity Gourmand